mercredi 2 octobre 2013

The uncanny barbie


Pictures by Simona Zemaityte, make up artist: Chen Fang


You know my taste and interest  for "mise en abîme". I have always been fascinated by the dress of my barbies, princess one, 80's one, shiny and glittery. I wanted the same for myself, but you can't wear barbie clothes so I decided to make a dress with barbie dresses.



For that I pinned then one by one on a base like butterflies in a frame. It creates a kind of patchwork with play around textures and different materials. I remember going to H&M with my ex-flatmate "  if the fabric  to similar to the dresses of my barbie, I don't trust it". 


Ironing barbie dresses to make them flat -my wardrobe shrank in the wash? 

Feel like a creepy american beauty pageant 


With Simona, a lithuanian video artist and filmmaker we experimented with light and filters inspired by Dark and Rudd Van Empel aesthetic.  I like  her use of over-saturated and harsh light, this dark coldness that you kind find  in  other east) european aesthetic (sorry for generazing) 



We took theses picture on a really hot day of summer, so the make up was smudging. Brenda, the make up artist wanted to re-do it but I liked it a bit dirty, like "something is going wrong on that porcelain face" 






to make this necklace you have to be really meticulous and stick every strass with a pin

as a child I was fascinated by the iridescent colour of mermaid tails 


Barbie has taken heat over the years for being too darned tall, small-waisted and basically unrealistic in her proportions, causing some to worry about the negative impact she might have on girls' body image.



With that in mind, artist Nickolay Lamm of MyDeals.com decided to find out what a 'normal-sized' Barbie would look like, so he took the CDC's measurements of an average 19-year-old woman (32-31-33) and created a 3D model of the doll, then photographed it next to a standard Barbie (whose measurements are a somewhat unrealistic 36-18-33).


He contrast is startling. Shorter, wider and fuller-faced, Lamm's 'normal' Barbie is a far cry from the long-limbed, tiny-waisted doll that girls the world over grow up playing with.

Speaking about the project, Lamm said: "If there's even a small chance of Barbie in its present form negatively influencing girls, and if Barbie looks as good as an average-sized woman in America, what's stopping Mattel from making one?"

Making a barbie dress with me, y friend Yueer was really surprised because chinese barbie are smaller and bigger. 


My room is like a kid room, with different toys on the shelves, the only difference is...dolls parts are methodically separated into pieces...
Every times people come to my room, is like a kindergarden. Everybody starts playing with the barbie, but with the eyes  of an adult!  Last time, one of my  set-designer friend needed  barbie to create a dolls and puppets atelier, so he borrowed me two boxes of my precious babies! 

the result of one of my friend playing with my barbies...
a friend coming to my house and tiding consciously all my barbies 

Making a barbie jewels is like doing plastic surgery on barbie 

I got inspired by the movie My Little Princess directed by Eva Ionesco inspired by her relationship with her mother, the well-known artistic photographer  Irina Ionesco whose pictures of her young daughter aroused discussions when they were published back in the 1970s.


 Beyond the controversial topic of the movie, I loved the aesthetic of the extravagant/decadant mother embodied by Isabelle Huppert. In this scene, the head piece dolls reflects the ambitious relationship between the mother and the daughter, showing the perverse desire of possession of the mother for her daughter, to makes her "her little doll", strengthening the unhealthy atmosphere of the movie. 


I tried to analyse why Barbie jewels are so disturbing,  why people find it so creepy and fascinating at the same time. I had a kid of "epiphany", it has to deal with the uncanny "inquiétante étrangeté"/ "inquiétante familiarité" in French.  Das Unheimliche,  in German is "the opposite of what is familiar",  a Freudian concept of an instance where something can be familiar, yet foreign at the same time, resulting in a feeling of it being uncomfortably strange or uncomfortably familiar.

Jeffrey Campell shoes: do you know this feeling as an artist when you see something really cool and you feel "I should have done this!" ? 



Because the uncanny is familiar, yet strange, it often creates cognitives dissonance  within the experiencing subject due to the paradoxical nature of being attracted to, yet repulsed by an object at the same time. This cognitive dissonance often leads to an outright rejection of the object, as one would rather reject than rationalize.


I can blink...like the dolls head on my dress! 


It what happen with the barbie jewels, barbie is a familiar object, we grow up with barbie, but is not suppose to be worn, to be separated from its body. This is the displacement that create the feeling of "the uncanny." 


With  my friend Simona, a video artist and filmmaker, we experimented with light and filters inspired by Dark and Rudd Van Empel aesthetic. 

 I like  her use of over-saturated and harsh light, this dark coldness that you kind find  in  other east- european  dark- realism aesthetic -she is from Lithuania-  (sorry for generalising). With her background in documentary she has a really accurate sense of observation, she lets you be and suddenly her eye catch something which could appear insignificant at first sight, but she presents it as if you were looking at it for the first time in your life. 








Barbie jewels always make people talk about their on childhood, revealing  the kind of child they were. "My sister loved to play with barbie, but I liked climbing on trees" so, on day I took the barbie with me on the tree hoping for my sister to join me.  But she didn't so I ended up plying alone with her barbie on the tree."




The Island Of The Dolls – located in the vast, bewildering network of canals that lies to the south of Mexico City, between the urban sprawl and the more traditional farmland region called Xochimilco is rich in history and superstition.


Created by the hermit Don Julián Santana who, despite having a wife and family, chose to live alone on the island for over 50 years before his death in 2001, the Island Of The Dolls is a shrine to a dead girl who was said to haunt him, and in whose honour he collected dolls, to calm her restless spirit.


For decades, Don Julián amassed a huge collection of dolls that had been rejected by their owners, either plucking them out of the canal as they bobbed past, or scavenging toys from rubbish heaps on rare excursions from his secluded home. 

In later years, locals began to trade old dolls with Don Julián in return for home-grown vegetables, and before his death the hermit’s cadaverous collection covered every inch of the island – each unloved toy receiving a second lease of life as part of his surreal shrine.



 Originally, I made this  books jacket for Wei Da Chen  show "Alice the Most Beautiful Moment" where I was performing a young librarian  experimenting with paper as a variation of my book dress,  creating origami patterns.




Alice; The most Beautiful Moment is a multimedia show inspired by the American poet Sylvia Plath, combining live performance pre-recorded speeches and videos.  


An interesting experiment  which  synchronise live performance with pre-recorded videos and speech engaging  a kind of dialogue with the holographic version of the character. 





                       picture by Simona Zemaityte 




vendredi 6 septembre 2013

Luxurioux Snacks


“One should either be a work of art, or wear a work of art” Oscar Wilde




LUXURIOUX (n) extremely comfortable, elegant or enjoyable, especially in a way that involves expense. Self-indulgent.
SNACKS (n) a small amount of food eaten between meals.

Luxurious snacks epitomises the condition of theatre.
Luxurious snacks is all we can offer to each other, it is all what we can offer to you.
Just do it.
But do it with style.



“Elegance is the quality of conduct which transforms the greatest amount of being into appearing” Sartre


We are El soir.
We are the party.
We are the LUXURIOUX SNACKS.




It was quite a simple costume, white shirt and black trousers. One morning,  when I was taking my coffee in the kitchen already dressed in my performance costume, my flatmate was like: "oh why you are dressing like that, are you going to a job interview?  
...

So when you are a performer, you wear suit not because you got a job but because you have to play serious part on a stage. At some point it was really depressing for me because I was in a performance where I had to be dressed with office clothes so I was dressing like that everyday and I was thinking to myself -"I choose theatre to be allow to dress crazily and i'm ending up wearing a suit every day"… but that's another story… 




This performance is an experimentation around the concept of the aestheticisation of life through a Camp perspective. Inspired by the pictures of Norman Parkinson, Erwin Blumenfeld or Helmut Newton  Simon has quite a different aesthetic from mine.  His vision of  fashion as glamourous, minimalistic and elegant ( actually really more French than I do)- quite differs from my  colourful  quirky style. When we were sourcing, props in the costume department I was "Oh! can I get this pink hat?! " No, Sophie, remember, the colours are black, white and gold glitter" nothing else. 
So i learned a lot working with Simon,  that an uncluttered style could create more stylised and striking images. Performance wise,  the simplification of costume allow  the audience to focus more on face expressions emphasised by the make up. 









Experimenting with projections, with a white shirt you become a blank canvas that creates a kind of "interactive x- ray costume" a a reflection of the inner emotions of the character through movies.  


Couldn't resist to involve barbie  and Ken as guest stars  into the performance as a medium to question the concept of gender. 

I love glitter, I'm like a magpie, when i'm going to charity shops, my eyes are automatically attracted by the rail with the ugly ice skater 80s sequins, if I could I will wear glitter every day -Wait! I could if I want - But GLITTER IS A CURSE, all the babies wipes of boots will not sweeten this little face! days and days after people are "you have something shiny on your face" And you can also spot them on your flatmates faces! We had read glitter shoes and I could find them on  my flat, months after the actual performance! 

 But as a child never played barbie in front of projection to create kind shadow puppet! 





I'm sure Gaga got inspired by Luxurioux snacks for her last video clip! 

“It’s very different performing for a camera than performing for 50,000 people. It feels different, and I truly miss them. So I took my hands and I smudged the makeup down my face like tears, and I began to cry while I was singing, singing, ‘I live for the applause"


Experimentation with the green screen 




Bang Bang, he shot me down








In the name of love is a loose adaptation of “Les Enfants Terribles” by J.Cocteau through the perspective of Camp and experimentations around the performance of gender.



The brother and sister are struggling to tell their story, trying to compete with excessively loud music in a hopeless attempt to be heard from the stage.





What is said is lost but the words are still there, present within the attention to stylised detail and gestures. Underneath the music and choreography the real messages are hidden in envelopes spread about the stage where the audience cannot reach.


An artifice of actions and gestures and constant repetition in a bricolage of references, escapism comes from playing a game in the name of love.
Stuck in a constant cycle, there is only one way to finish what they don’t remember starting.










Stay tuned! You will hear about us soon!   
Related Posts Plugin for WordPress, Blogger...